Richard Scott (b. 1981, Wimbledon, London) used to be opera singer but the ‘inhuman rigours’ of the profession left him seeking escape. ‘After years of obsessing over texts, librettos and poetry that had been set to music, poetry seemed to me like almost a logical step. It became clear to me that when you took the music away, there was still a “music” and a rhythm to the poem – and that fascinated me.’
His chapbook Wound won the 2017 Michael Marks Award. In the same year, he won the Poetry London competition with ‘crocodile’, a poem at the centre of many of the trajectories worked out in Soho – submergence, flesh, the vulnerability of queer bodies. Its snapping linebreaks and sharp images remind the reader that he is, above all else, a thrilling poet.