Ian Duhig


Ian Duhig (b. 1954, London) is particularly celebrated for his poem ‘The Lammas Hireling’, which won both the National Poetry Competition and the 2001 Forward Prize for Best Single Poem. Having worked with homeless people for fifteen years and finding, as he writes, that ‘location and poetry dissolve into each other for me’, Duhig has inserted a rare depth of understanding of his native Leeds into his poetry.

‘Poetry drew me in because it can contain so much so easily in its own paradoxical compass’, he has written. Certainly paradoxical clashes frequently find expression in his poetry, including The Blind Roadmaker, his shortlisted collection; modern chatter alongside myth and lore, litheness of thought alongside strict metrical forms, a mischievous humour alongside a devastating sense of tragedy. Chosen as one of the Poetry Book Society’s New Generation of poets in 1994, with Carol Ann Duffy and Simon Armitage, Duhig shares those poets’ ability to dramatise contemporary concerns in technically accomplished verse.

Duhig’s advice to aspiring poets is practical: ‘learn to live on very little. Never underestimate what a massive pain in the arse you will be to your loved ones and everybody else. Be lucky and be kind.’

Ciaran Carson

Ciaran Carson (b. 1948, Belfast)  says of his upbringing: ‘I was reared bilingually, Irish being the language of the home and English that of the outside world.’

He studied at Queen’s University Belfast where he was part of ‘The Group’ with Seamus Heaney, Michael Longley, Paul Muldoon, Medbh McGuckian and Frank Ormsby.

He worked as a musician, in the Civil Service and as a teacher before becoming Professor of Poetry at his alma mater. He won the Forward Prize for Best Collection in 2003 for Breaking News.

From Elsewhere (The Gallery Press, 2015) is a book of ‘translations of translations’ from the French poet Jean Follain, each faced by new poems inspired by those translations.’

He says of this book: ‘I wonder how far all this double-dealing comes from my bilingual background, as embodied in my name, Ciaran the Catholic Irish, Carson the Protestant Ulsterman. At any rate I relish the ambiguity.’

Read the Forward Prizes Q&A with Ciaran Carson: “Poetry is meant to affect you, if not to infect you, to get into your bloodstream […] it is only by absorbing the voice of others that you find your own.”

Ros Barber

Ros Barber (b. 1964) was born in Washington D.C. to British parents, grew up in Essex, but moved to Brighton on the south coast of England at the age of 18. An academic, poet and novelist, she is well known as an expert on the Elizabethan poet and playwright Christopher Marlowe, the inspiration behind her verse novel, The Marlowe Papers (Sceptre, 2012) which re-imagines Marlowe as the pen behind the works of Shakespeare. She has written three collections of poetry, the most recent (Material, 2008) being a Poetry Book Society Recommendation.

In 2013, The Marlowe Papers was awarded the Desmond Elliott Prize, jointly awarded the Author’s Club Best First Novel Award, and long-listed for the Women’s Prize (formerly Orange Prize) for Fiction. In 2011, pre-publication, it was joint winner of the annual Calvin & Rose G. Hoffman Prize.

Barber is a visiting research fellow at the University of Sussex, lecturer in Creative and Life Writing at Goldsmiths, University of London, and director of research at the Shakespearean Authorship Trust.

For 12 years she taught creative writing for the University of Sussex on both undergraduate and postgraduate courses. She has been visiting lecturer at Brunel, Kent, and Notts Trent Universities. Since 2012 she has been teaching week-long residential courses for both the Arvon Foundation and the Ty Newydd Writers Centre in Wales.

Simon Armitage

Simon Armitage (b.1963) is one of the UK’s best known and loved poets. He was born in the village of Marsden and lives in West Yorkshire. Until 1994 he worked as a probation officer in Greater Manchester.

Since his debut collection Zoom (Bloodaxe, 1989) was awarded a Poetry Book Society Choice, his work has gained a reputation and audience far beyond most contemporary poets. He is also a prolific writer: his many collections include Kid (Faber & Faber, 1992), Book of Matches (Faber & Faber, 1993), Cloud Cuckoo Land (Faber & Faber, 1997), The Universal Home Doctor (Faber & Faber, 2002) and Seeing Stars (Faber & Faber, 2010), alongside highly acclaimed translations.

His prose works include two novels and a best-selling memoir, All Points North (Penguin, 1998). He has also written extensively for radio, television, film and stage, including four stage plays and a dramatisation of The Odyssey for BBC Radio 4. His play for Radio 4, Black Roses: The Killing of Sophie Lancaster, about the true story of a teenager brutally set upon in a park by a gang for being a Goth, received unprecedented listener feedback.

His work has received numerous awards including being shortlisted five times for the T S Eliot Prize, the Sunday Times Young Writer of the Year, the Keats Shelley Prize, and the National Book Critics Circle Award in the USA. He was awarded a CBE in 2010 for services to poetry.

Vicki Feaver

Vicki Feaver (b. 1943) grew up in Nottingham ‘in a house of quarrelling women’, an emotional inheritance which finds later expression in her poetry. She studied music at Durham University and English at University College, London, and worked as a lecturer in English and Creative Writing at University College, Chichester, becoming emeritus professor.

Her three collections have been highly praised. The second, The Handless Maiden (Jonathan Cape, 1994), included both the Arvon International Poetry Competition finalist ‘Lily Pond’, and ‘Judith’, winner of the Forward Poetry Prize for Best Single Poem. The same collection was also given a Heinemann Prize and shortlisted for the Forward Prize. Her most recent collection, The Book of Blood (Jonathan Cape, 2006) was shortlisted for the 2006 Costa Poetry Award.

Her dark and sensual re-workings of myth and fairy tale have been termed ‘domestic gothic’ by fellow poet Matthew Sweeney. While her poems incorporate objects from everyday life, Feaver often grafts them on to the transgressive power of these old tales, allowing her a space to explore emotions and desires which women are not usually allowed (or don’t allow themselves) to express. A central concern of her work is female creativity and its repression, and how this can find an outlet in violence.

Vicki Feaver currently lives in South Lanarkshire, Scotland.

Tim Turnbull

Tim Turnbull (b. 1960) is from North Yorkshire. He worked in the forestry industry for many years and started writing poetry in the early 90s. He studied at Middlesex University and completed an MA in Creative Writing at Sheffield Hallam University in 2002.

Since then he has read and performed his work throughout Britain and abroad. He makes no distinction between writing for stage and page. For example, he won the inaugural Edinburgh Book Festival Slam in 2002 with a poem which had also been published in The Rialto magazine. In 2004 he received a Scottish Arts Council bursary and was appointed writer in residence at HMYOI Werrington (a young offenders’ prison) and more recently at Saughton prison, Edinburgh.

What Was That? was published by Donut Press in 2004, followed by Stranded in Sub-Atomica (Donut Press, 2005), which was shortlisted for the Felix Dennis Prize for Best First Collection in the 2006 Forward Prizes. Caligula on Ice and Other Poems was published in 2009, also by Donut Press. Turnbull’s poetry is sharply witty and frequently very funny. In his latest collection he presents a satirical survey of the cultural landscape post-Modernism, lampooning human endeavour in some of its many fields and forms.

Jeffrey Wainwright

Jeffrey Wainwright (b. 1944 Stoke-on-Trent) discovered his love for poetry at school thanks to his English teacher, Ken Lowe. He has long been fascinated by American poetry, from Whitman to Stevens, partly ‘because it is not English’. He is drawn, in his writing, to Italian art: ‘An Empty Street’ was inspired by Ottone Rosai’s painting Via San Leonardo. While at university in Leeds, Wainwright met and learned from many poets working in or around the English School, including Geoffrey Hill. His first poems published nationally were edited from Leeds by Jon Silkin and Ken Smith. He was editor of Poetry and Audience, one of the longest-running poetry magazines in the UK, which celebrated its 60th anniversary last year

Jack Underwood

Jack Underwood (b. 1984 Norwich) completed a PhD in Creative Writing at Goldsmiths College, where he also teaches English Literature and Creative Writing.

His first poem was about a pair of Adidas Gazelle trainers covered in biro graffiti. Underwood enjoyed poetry at school, though he felt that poems were by ‘dead people’. After studying Simon Armitage at college, the idea of writing a ‘real, live poem’ suddenly seemed ‘plausible’. His favourite poets include Sam Riviere, Emily Berry – both winners of the Forward Prize for Best First Collection – Jennifer Knox and Philip Larkin.

He teaches at the Poetry School, co-edits the anthology series Stop Sharpening Your Knives, and reviews for Poetry London and Poetry Review. His debut collection Happiness will be published by Faber in 2015.


Stephen Santus

Stephen Santus (b. 1948 Wigan) has been writing poetry since 1965. His interest was sparked by his older brother who loved to read poetry and Shakespeare aloud. Santus appreciates classical Chinese poets and the Japanese haiku and tanka writers for their delicacy and emotional accessibility. He teaches English in a language school in Oxford, having previously taught in France and Austria. He also admires Philip Larkin and his ‘ability to sneak deep truths past you when you think you are just having a pint and a chat at the bar’.

Denise Riley


Denise Riley (b 1948, Carlisle) is a philosopher and feminist theorist as well as an admired poet. She’s written eight works of nonfiction, including the influential “Am I That Name?”: Feminism and the Category of “Women” in History.

Riley can be seen as the UK’s best answer to the New York School poets, a movement whose riotous running together of art theory and philosophy with everyday speech and pop culture has been one of the dominant trends in poetry over the last half-century. From her first book, Marxism for Infants, through to her astonishingly varied and ambitious Mop Mop Georgette, she has successfully sought to make abstract intellectual questions vivid, pressing and personal.

In Say Something Back, Riley explores how our personal concerns – loss, cruelty, mortality – have implications for the way in which we, as a species, exist within the world. Central to the book is her elegy ‘A Part Song’ – winner of the 2012 Forward Prize for Best Single Poem – which was written after the death of her son. She says it was composed ‘in imagined solidarity with the endless others whose adult children have died, often in far worse circumstances.’

She is currently Professor of the History of Ideas and of Poetry at UEA. Her visiting positions have included A.D. White Professor at Cornell University in the US, Writer in Residence at the Tate Gallery in London, and Visiting Fellow at Birkbeck College in the University of London.



Tim Nolan

Tim Nolan (b. 1954 Minneapolis) wrote his first poem on the Vietnam War, at the age of 14. ‘It was terrible,’ he says. ‘The poem and the war.’ He has since published two collections. The poem included here is one of several written during a one-month residency at the Anderson Center in Red Wing, Minnesota in October 2013, during which he ran a poetry workshop at Red Wing’s juvenile detention centre. Garrison Keillor has read a number of Nolan’s poems on The Writer’s Almanac on National Public Radio and others have been published in The Nation, The New Republic and Ploughshares. He cites Shakespeare, Walt Whitman, Emily Dickinson and William Carlos Williams as inspirations, and values poems that have ‘serious intentions, but a light touch’.

Roger Stevens

Roger Stevens founded and runs the award-winning Poetry Zone website, which encourages children to write and publish their poetry and offers guidance and ideas for teachers on now to make the teaching of poetry fun and rewarding.

Since 1998 The Poetry Zone has published around 20,000 poems by young people and had millions of visitors – children and teenagers, real live poets and teachers who use the Poetry Zone as a fun way of teaching poetry in their schools.

Roger has written 24 book and has poems in over 200 children’s anthologies. He loves to edit anthologies for children too: recent ones include  A Million Brilliant Poems (part one) (A&C Black) for which he’s been lucky to be able to choose some of his very favourite poems from some of his favourite poets; What Rhymes With Sneeze (A&C Black) – an anthology of rhyming poems and Off By Heart (A&C Black) – poems to memorise, with helpful memorising tips in the back. With Macmillan Children’s Books, he’s published What Are We Fighting For – war poems with Brian Moses and a book of animal poems  written with Jan Dean.

He lives in Brighton and France and is frequently invited to visit schools to talk about poetry: if you want him to come to your school, get in touch with him via Authors Abroad.

Enjoy the poem he has written specially for National Poetry Day 2015 here and in the new anthology Light: A National Poetry Day Book


Jan Dean

Jan Dean writes poems.  Writing poems is wonderfully strange – like playing lucky dip with a barrelful of tigers, raspberry jellies and machine parts.  She visits schools where she performs her poetry and then invites the students into her head to play at poem-making.  Jan’s head is full of weird stuff – it’s interesting in there…  Her latest book –written with Roger Stevens – is ‘The Penguin In Lost Property’ , so Jan is currently taking the Lost Property Office into schools looking for the owners of the ocean,  two odd eyeballs and an antler.  (While the penguin escapes to have a poetry adventure.)

Liz Brownlee

Who works with light? Fire-fighters, projectionists, nuclear physicists, lighthousekeepers…and the one-woman poetry powerhouse Liz Brownlee, who has rounded up scores of light-workers near Bristol to recite great poems about light to camera. Her films, including a splendid mash-up of Byron’s She Walks in Beauty can be seen on YouTube – and on National Poetry Day they will be screened on the Bristol Big Screen.

Watch Liz’s films here: Astronomer, Optometrist, Photographer, Mash of ‘After Rain, Light’, by Pie Corbett, Actress, Firefighter, Cosmologist, Lightship, Projectionist, Priest, Hindu performer, Fire performer, Wildlife cameraman, Mash of Six Facts About Light by Rachel Rooney and a reading of ‘She Walks in Beauty’ by George Lord Byron, as read by members of the public who work with light.

Paul Cookson

Paul Cookson has spent twenty five years visiting schools, libraries and literature festivals, performing poems, leading workshops, publishing books and making people laugh – and he still isn’t tired.

The Works is his best selling anthology  (over 200,000 and counting) and his latest collection of his own favourite poems is Paul Cookson’s Joke Shop.

He is the Official Poet in Residence for the National Football Museum in Manchester, Poet Laureate for Slade and has travelled the world to share his work. in 2009 he received a National Reading Hero award.

A man of many double acts, he is currently working with ex-popstar and ex-Housemartin Stan Cullimore and they travel round to schools with their ukuleles singing silly songs and poems and generally having fun.

A lifelong Everton fan, Paul has more ukuleles than he has admitted to and more shoes than his wife.

He lives in Retford with his wife, two children, a springer spaniel called Max and too many books and CDs.

For more information you can visit his website or follow him on twitter : @paulcooksonpoet

Brian Moses

Brian Moses lives in the small Sussex village of Burwash with his wife Anne, and a loopy labrador called Honey.

He first worked as a teacher but has now been a professional children’s poet for 26 years. To date he has over 200 books published including volumes of his own poetry such as A Cat Called Elvis and Behind the Staffroom Door  (both Macmillan), anthologies such as The Secret Lives of Teachers  and Aliens Stole My Underpants (both Macmillan) and picture books such as Beetle in the Bathroom  and Trouble at the Dinosaur Cafe (both Puffin). Over 1 million copies of Brian’s poetry books have now been sold by Macmillan.

Brian also visits schools to run writing workshops and perform his own poetry and percussion shows. To date he has visited well over 2500 schools and libraries throughout the UK. He has made several appearances at the Edinburgh Festival, been writer in residence at Castle Cornet on Guernsey,  and at RAF schools in Cyprus.  In September 2006 he was invited to Iceland to take part in ‘Kids in the Marsh’ – a festival of children’s poetry and song. At the request of Prince Charles he spoke at the Prince’s Summer School for Teachers in 2007 at Cambridge University and CBBC commissioned him to write a poem for the Queen’s 80th birthday. He was one of ten children’s poets invited by then Poet Laureate Andrew Motion to feature on the National Poetry Archive when it began in 2005.

He can be booked  here to run workshops and perform his poetry.

Vidyan Ravinthiran

Vidyan Ravinthiran (b. 1984 Leeds) was encouraged by his Sri Lankan parents to consider literature ‘a wonderful thing’. He began writing poetry by creating versions of Keats’ odes. This changed when he was given the 2002 Forward Book of Poetry by a friend of his mother. ‘I had these old-fashioned ideas about what a poem should be,’ Ravinthiran explains, ‘and I couldn’t square them with the excitements of free verse.’ In 2008, his pamphlet At Home or Nowhere was published by tall- lighthouse. He cites Yeats, Philip Larkin and Arun Kolatkar as early inspirations; Elizabeth Bishop is the subject of his doctoral thesis at Cambridge. Ravinthiran describes his collection, Grun-tu-molani, as ‘the equivalent of the Ravinthiran family Christmas. We have a roast, potatoes, stuffing, gravy, veg, but also a thousand curries… Everything you could want.’

Kevin Powers

Kevin Powers (b. 1980 Virginia) fought in Iraq as a machine gunner between 2004 and 2005. He began writing poetry aged 12 after buying a collection by Dylan Thomas in a second-hand book shop. ‘I think I wrote my first poem as soon as I finished reading “Fern Hill”,’ he says. His novel about Iraq, The Yellow Birds, won the Guardian First Book Award and is being made into a film starring Benedict Cumberbatch. Powers is a Michener Fellow in poetry at the University of Austin, Texas and cites Larry Levis, Yusef Komunyakaa, Brigit Pegeen Kelly and Dean Young as inspirations for his work, as each ‘share a kind of clarity in the face of difficulty and complexity’. Letter Composed During a Lull in the Fighting was written after his return from service in Iraq. ‘I hoped poetry would allow me to reckon with the difficult questions I had about my service,’ Powers says, ‘in the same way that I had used it to address all the confusion the world had presented me with since I was a teenager.’

Beatrice Garland

Beatrice Garland (b. 1938 Oxford) describes writing as ‘a marvellous part of one’s interior private life’ and cites John Donne, John Clare and Seamus Heaney as inspirations. At school, she was punished for misdemeanours by being forced to memorise poetry. ‘Whole lines and particular individual words themselves became, like sweets, something that could be saved up and enjoyed for their marvellous taste,’ Garland explains.

In 2001, she won the National Poetry Prize. She wrote no poetry for a while afterwards, but focused on her work as an NHS clinician and researcher in psychological medicine. She won the Strokestown International Poetry Competition in 2002 and was shortlisted for the inaugural Picador Poetry Prize. The Invention of Fireworks contains about 50 of the ‘several hundred’ poems Garland has scattered all over the room where she writes.

Niall Campbell

Niall Campbell (b. 1984 South Uist) began writing poetry as an undergraduate at the University of Glasgow. ‘Reading poetry has the almost inevitable effect of encouraging one to write,’ Campbell explains, ‘because by reading poetry you find yourself enjoined in a conversation between the poet and those gone before and those that might come after.’

He has tried to achieve a unity of tone, image and atmosphere in Moontide. He describes his tastes as ‘Celtic’, naming Seamus Heaney, Don Paterson, John Glenday and Kathleen Jamie as inspirations. In 2011, Campbell received an Eric Gregory Award, followed by a Jerwood/Arvon mentorship in 2013.